Music Minute with Crocodiles
By Nick Lipton • Nov 10th, 2009 • Category: Features, Latest, Reviews
In the ’80s babes would have died for this treatment. photo: Carey Haider
The San Diego-based Crocodiles may be on the verge of infiltrating your iPod. In Costa Mesa, California the clothing brand Comune has begun supporting the band. Bataleon Am Ben Rice plans to use their tunes if he can put a part together, and Jimmy Fontaine (ex-snowboard photographer, now fashion photographer/Comune Drop City artist) is roommates with the new bass player. MGMT, Postal Service, and the Yeah Yeah Yeahs (to name a few) are all bands that found an audience in snowboard culture prior to “making it.” Could the Crocodiles be headed down this same track? After seeing this band live it seems possible.
The live show was raunchy, energetic, and talented. Between the performance, antics, and male love, the Crocodiles are not a live show you want to miss. The band went on in darkness, only three red lights back lit the band. In this haunting red glow four silhouettes took their places on stage, an unexpected explosion of electric guitar followed.

Her head shook harder than anyone else’s. photo: Carey Haider
Opening for The Raveonettes, the Crocodiles put on a thirty minute rock show that angered some and excited plenty. The foursome combined to create a highly entertaining show. The guitarist embodied Rock n’ Roll. Visualize the cool confidence of James Dean with an electric guitar, messier hair, and skin tight denim. The drummer, a new addition, plays loud, and never seems to tire. The other new addition, the bass player, kept a loud and energetic rhythm that was hard not to beat your feet too. Fittingly, the standout member is the front man. His on-stage madness engaged the crowd and inspired a range of emotions. Aggressive sexual advances on several crowd members, constant spitting, and Elvis like dance moves were all a part of his show.
The live performance combined electric elements with punk roots. The sound is a combination of tech loops, early punk grit, and has qualities reminiscent of the earlier sounds produced by the B-52’s. In short, it was great. The boys were wild, the show was rowdy, and the crowd bobbed up and down in shared excitement. By the end of the show my ears rang and I felt compelled to buy their CD, and I never buy CDs. I was also convinced that this band had a future, and that their current tour would be a stepping stone to the big time.

It was his show, piss and vinegar included. photo: Carey Haider
Expect the Crocodiles to build a snowboard following. Their latest recording “Summer of Hate” was recorded when the band was still a two man organization, and while the CD is enjoyable, the four man live show was much better. The addition of a drummer and bass player has given the band’s sound more attitude, more punch, and a harder feel. Since becoming a four man show the Crocodiles have toured Europe and parts of the US. The experience, and inclusion of a drummer and bass player, has developed the bands sound for the better. A bright future seems inevitable.
To hear some tunes and learn more visit:
The Blog
http://killkillkillcrocodiles.blogspot.com/
The Myspace:
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YoBeat: Making Fun of Snowboarding Since 1997







Fuck off, Summer Of Hate was big. Phoenix and Edward Sharpe will be the big shred jams, although some Crocodile’s would be nice.
The snowboard world isn’t like your snowboard world.
Ben Rice snowboarded to them in his part in “So Much to Say”.
YoBeat Records?
“You are fucking fraudulent hipster fashion douchebags. You’re making everything suck. You’re like rats, killing anything decent in culture with your fucking retrograde, ironic outlook on fucking everything. Stop making music. You’re killing it. Twats.”
Agreed.
Oh go listen to some led zep or whatever culturally established “cool” music you’re into. Your hate ramble makes you seem like a 14 year old who didn’t get a wii for christmas.